

An American high school rebuilt as a set: red lockers, a chequerboard floor, framed certificates that belong to no one.
Wrangler FW24 is dressed as a school year — varsity knits, flannel, sherpa, workwear denim — and staged inside a place that only exists for the camera. The set does the season’s colour work: lacquer red against black-and-white tile, denim indigo, a single burgundy logo sweater. Two characters move through it, sometimes together, sometimes passing.
I worked as creative assistant: look preparation and continuity, dressing between set-ups, and keeping the two wardrobes legible as one story across the set changes.












