

One model, one seamless, and a wall of dead television sets.
The Lee FW24 set was built as a single prop idea: cathode-ray televisions stacked, cabled and switched off, their grey screens turned into the only pattern in the frame. Everything else is stripped back — cold studio white, black and indigo denim, one red-and-navy check shirt as the season’s accent. The furniture is the styling.
I worked as creative assistant on the day: prop layout and continuity as the stacks were rebuilt between looks, steaming and dressing between set-ups, and keeping the frames reading as one sequence.






